Eta Eta Uso
Nigeria
Being an active member of TakingITGlobal has lead me to numerous achievements, many of which have occurred this year. TIG has, as its saying goes, “inspired, informed, and involved” me to become successful both locally and internationally. With the help of TIG, I have had the opportunity to connect with a large number of people each day, to gain awareness on various issues, and to increase my involvement. ( читай дальше)
Simon
Nigeria
I became involved in this area (rights of girls, women) when I last travelled into some rural areas in Enugu state where there has never been electricity since the world began exept for rich men living in towns who come home, once in 10 years and buy a generator set. I saw the pains and the mosquitos as well as manutrition, sickness and stunted growth. After due consideration I decided to champion a public opinion in their favour and help them get out of the pain.
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chuka
Nigeria
I am inspired by my need to serve humanity and joining people with the same interests [as myself] all over the world in order to find the ways in which we can make this world a better place. In addition, I am inspired by the promotion of peace and sustainable development, waging war on social ills, gaining experience, and sharing ideas with different people across the globe. ( читай дальше)
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The four edifices of the site reflect the high points of the Byzantine-Romanesque ecclesiastical culture that developed in the Balkans between the 13th and 17th centuries with its distinct style of wall painting. The Patriarchate of Peć Monastery is a group of four domed churches, on the outskirts of Peć featuring series of wall paintings. The 13th-century frescoes of the Church of Holy Apostles are painted in a unique, monumental style. Early 14th-century frescoes in the church of the Holy Virgin represent the appearance of the new so called Palaiologian Renaissance style, combining the influences of the eastern Orthodox Byzantine and the western Romanesque traditions. The style played a decisive role in subsequent Balkan art.
