Pascal Bekono
Cameroon
J’ai toujours voulu servir et faire entendre ma voix. Les mouvements associatifs sont des véritables moyens d’expression des jeunes. J’ai été inspiré tout d’abord dès le bas age par des activités volontaires, par la suite en terme d’expression et de rencontre et d’échange. C’est ainsi que dés l’age de 12 ans, j’ai intégré les clubs volontaires du quartier, et par la suite, des associations estudiantins, et autres ONG de jeunesses. Actuellement, TakingITGlobal... ( läs mer)
daugio
Vietnam
I am inspired by my love for going out into the open world around me. I find it hard to live on earth without worrying about what I can do to make myself and my relationships better. My shortage is that I wasn't born in a rich family, that I didn't receive a good education background in my country, and my past lack of cooperation with friends, even family members. Yet, I get my strength, the richness of my love, my passion for learning and improving on my own during my adolescence, the time... ( läs mer)
John Muhia
Kenya
I think a good leader is one who is fair, self motivated, appreciative, committed, enthusiastic, understanding and one who can articulate issues. In addition, one who has strong ability to influence the rest of the group in doing something either in a negative or positive way but the best way is to encourage the team to do positive things. Also a good leader should listen to the voices of those that they lead and incorporate their interests and opinions in the decision-making process. ( läs mer)
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Hem
Mötesplats
Situated within a cluster of forested granite hills and covering an area of 126.4 km2, high up the plateau of central Malawi, the area features the richest concentration of rock art in Central Africa on 127 sites. They reflect the comparatively scarce tradition of farmer rock art, as well as paintings by BaTwa hunter-gatherers who inhabited the area from the Late Stone Age. The Chewa agriculturalists, whose ancestors lived in the area from the late Iron Age, practised rock painting until well into the 20th century. The symbols in the rock art, which are strongly associated with women, still have cultural relevance amongst the Chewa, and the sites are actively associated with ceremonies and rituals.
