Nkubizi Clement Papy
South Africa
I am inspired by great people, people who challenge my critical thinking process, people who appreciate diversity. I am inspired by those who give back to the society what they have gained from it. I have learned that success is not about taking and winning but is about giving too. I have met with so many successful people whom I learned from and what I have discovered so far about successful persons is that they do not work harder but smarter because when you work hard you might fail but... ( daha fazlasını okuyun)
Sudip Aryal
Nepal
I am inspired by the people who are responsible towards their society irrespective of their varied situations and circumstances. Yes it is very hard to see such people that frequently, however the ones who are really working for the development of society are the great source of inspiration to many youths like me. I am Involved in Social work from the age of 7 when I was in Class two. That time I joined in Nepal Scouts as a cub scout. As the lord Baden Powell teachings goes “Tie the knots... ( daha fazlasını okuyun)
FASU
United States
There is so much that has enriched my life, in spite of the Liberian civil crisis.
As a child, I should have been watching television; I should have been in school learning biology to understand how cells developed and how they die, sociology to know how social factors alter our behaviors or psychology to understand how war affected perceptions but the war taught me the opposite of what I wanted to learn. I wanted to learn peace, fellowship, and good deeds. I ended up in restaurants seeking... ( daha fazlasını okuyun)
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Ana Sayfa
Toplum
Rila Monastery was founded in the 10th century by St John of Rila, a hermit canonized by the Orthodox Church. His ascetic dwelling and tomb became a holy site and were transformed into a monastic complex, which subsequently played an important role in the spiritual and social life of medieval Bulgaria. Destroyed by fire at the beginning of the 19th century, the complex was rebuilt between 1834 and 1862. The monument is a characteristic example of the Bulgarian Renaissance (18th–19th centuries) and symbolizes an awareness of a Slavic cultural identity following centuries of occupation.
